Galileo Galilei room lights go out and start sounding voice that has been rattling in different musical circles recently, especially highlighting its originality. We speak of the "singer-songwriter" Angel Stanich, who at only 24 years has crept into the new year list of artist to follow, especially with the ribbon of great live sound that follows him. After a creating process somewhat introverted, now has begun to run like wildfire the recognition to the artist with rave reviews, so Indieófilo could not miss this opportunity to feel close his live.
All rights of this photo reserved to Bitz Sanz
Gig started with the steady rhythm of "Cannibal Dawn", reminding us that the lyrics lead to utopian scenarios, and getting the first big applause of the night when the audience saw the band who play with Angel, composed by Javier Vielba from Arizona Baby, Alex Izquierdo from Idealipsticks and Guille de Aragón from The Jackets. Quite a punch that contrasts with a rather lukewarm start in terms of beats, because of the acoustic style of this start of the concert. With these melancholy lyrics that focus on destroying the human race, but with rocker touch through the guitars reminiscent of the electrical rhythms of the 60s, we enjoyed 'El menor', while the chords of "Miss Trueno '89" shown us despair of risks to take, as it indicates that catchy lyrics where highlights the desperate "¡Dime que puedo hacer!". The perfect blend of rhythms coming out of the drums with the anger voice of the singer build a catchy rhythm that almost accidentally introduced the entire room to "El cruce" song, a protest composition that highlights the absolute contradictions of the system.
All rights of this photo reserved to Bitz Sanz
At this point the artist choose to make a tribute to the classics of literature, leveraging the significant date of the concert, interacting with the audience talking about issues such as the burial of Miguel de Cervantes or death of Garcilaso de la Vega, and then continued with a cover of Mark Lanegan's classic "Bleeding Muddy Water", perfectly followed by Javier Vielba. Halfway through the concert and from the hand of track who set the title to his album "Camino ácido", which produces a variety of sensations and rhythms with powerful bass that transport us to a night of lust, compliments and stories of fallen angels, serves to emphasise the relationship Ángel Stanich proposed throughout the disc with ethyl condition. A song with elegant and mad style, perfect in our opinion for their details, in which he bets for a single view closer to the 'Club culture'. Just later the harmonica would get us confused with "La noche del coyote", that used to take us to the Mexican peyote nights while his fable "Jesus levántate", a song that can not generate indifference in any of the cases, points us to the rage of the gradients.
All rights of this photo reserved to Bitz Sanz
After his typical cover of "Hey Hey, My My" from Neil Young, begins finish of the gig with "El Outsider", theme that speaks about disagreements at airports. After a standing ovation and without playing hard to get, the singer returned to the stage and clapping rhythm brought us "Mezcalito" which helped us be even more vivid, making the room rumble with a superb chorus sung by the band and reminds us the great moments we have left to live. Still have time to animate the room again with the song "Rio", introducing in our imagination a sunny summer day, later to finish the concert with the theme we all expected to start jumping and to say goodbye to this direct worth be lived. With guitar riff of "Metralleta Joe" the concert finish, with no better way to end it that with the shots of chords of the combination of this incredible band and the creativity of the musician Angel Stanich.
