Esther
After nearly six years without any news of British Kula Shaker, this 2016 they surprised us with the release of K2.0, a reinterpretation 2 decades later of the album that gave them fame. To mark the presentation of the album, the room Paradiso in Amsterdam received them nine years after their last performance in the
On a cold and rainy February night in Amsterdam, few things can take you from laziness off the couch.. Although without a doubt, one of them could be enjoy the live show from one of the bands with more strength and personality of 90, the British Skunk Anansie, who came to the room Paradiso in
Suede, primary band on the British music scene of the 90s, came to Amsterdam as second stop of European tour to promote their new album Night Thoughts. In an unusual show, Londoners chose to play entire their new LP behind a screen on which a film created for that purpose by the director Roger Sargent
British Maxïmo Park came to the Melkweg room in Amsterdam to celebrate the 10th anniversary of the album that gave them world renowned, A Certain Trigger, a fact for which they have organized a tour in that in addition to the greatest hits of their discography, they fully play the album that shot them to
British Bloc Party returned to Amsterdam because of the tour to promote their new album HYMNS, which will be released in late January 2016. Their first stop on the European tour was the legendary venue Paradiso and had eclectic Steve as opening act, a real orchestra woman with the sole help of a guitar, a
A thing that nobody doubts in Spain is that the indie has approached with strides into the mainstream. Bands like Vetusta Morla, Love of Lesbian, Supersubmarina or Izal fill up arenas up to 10000 crowd with amazing ease, but nevertheless, if we ignore the case of the UK, it is difficult to see this behavior in
What promises to be a generational duel between the last two decades of the music ended better than it started.. Just a few hours before the start of the show, We Are Scientist announced that they would not be part of the starting lineup because of transport problems of Keith Murray, who was in Paris
The fact that bands as DMA’s grow up in appreciation of critics and audiences is always welcome. Not only for the quality that they attest, but because from time to time is also good that critics will confirm that one of those hundred lapidary phrases launched each year will became true.. More than a year ago
